The 5. 0 Greatest College Basketball Players of All Time «I. That would be an exaggeration. I’m tempted to try, because it would make the introduction to this column much easier. Full List of Inventory 1/27/17. You can search for a specific title by using your computer or other device's search function. If you want a specific list (such as.But I don’t believe those things are exactly the same, and I’m not going to pretend otherwise. However, I do believe they have (at least) two things in common, and these two things are imperative. I think that — in both scenarios — the collegiate experience amplifies how important life feels, which means the emotional memory matters more than the technical details. I also think a big part of fondly remembering college — and, by extension, the sensation of loving college basketball — is related to the notion of selective nostalgia: In both instances, you spend a lot of time half- remembering noteworthy people you only knew in passing, and the hazy impermanence of those relationships somehow makes them more retrospectively satisfying. This is not a list of the 5. These are the 5. 0 players who inhabit our collective memory as “awesome college guys.” They’re the transient people who make college basketball a little more pleasurable than its professional counterpart, a phenomenon that’s often due to their disjointed combination of temporary excellence with timeless imperfection. They are, for lack of a better term, the reason college basketball is different. My ranking criteria is as follows: Talent. This is the most important quality. However — and I cannot stress this enough — it’s not the only quality. It’s 5. 0 percent of the equation, and sometimes less. The individual’s college career must be more meaningful than his pro career. This doesn’t mean the player had to be a professional bust, or even a professional disappointment — the candidate could be still be the league MVP, win multiple Larry O’Brien trophies, and spend his summers playing Clue in Billy Hunter’s boathouse with Hubie Brown. It does not require anyone to be a terrible NBA product. However, the peak of the player’s career needs to happen when they’re working for free (or at least pretending to work for free). If an objective, informed fan hears this person’s name, they should reflexively associate that individual’s greatness with the idiom of college basketball. That’s the key — any theoretical pro career is just something semi- irrelevant that happened later in life. ![]() The c-word, 'cunt', is perhaps the most offensive word in the English language, and consequently it has never been researched in depth. Hugh Rawson's Dictionary Of. You know what it is good for? Stories of unfathomable badassery, that's what. Over the years, we at Cracked have gathered a formidable collection of these. Are you an undersized two- guard with no conscience? Do your unnaturally long arms compensate for your lack of a natural position? Do your physical limitations give you a paradoxical advantage? Were you the “one man” on a “one- man team”? Are there no other players comparable to your rarified version of weirdness? Kevin Michael "GG" Allin (Jesus Christ Allin nacido el 29 de agosto 1956 – 28 de junio 1993) fue un cantante de punk que tocó y grabó con varias bandas durante su. 1-2 razy w miesi Find great deals on eBay for gg allin and gg allin shirt. Shop with confidence. If so, congratulations. These are the qualities that make you memorable. There needs to be something vaguely “collegiate” about the individual’s persona. But there’s still something to this, even if it’s impossible to quantify: I like unfinished people. I like players who are still figuring out who they are. I like guys who wear sweaters instead of suits. You can disagree with the logic of my argument, but it’s not really based on logic, so your argument will fail. As with any historical list, my age is a bias. I’m aware that human nature causes us to (a) romanticize players we remember from childhood, (b) lionize people we’ve only read about, and (c) undervalue modern players who seem like lesser versions of people we’ve seen before. The dead are valued more than the living. I’m simply being honest here: It helps to be dead. If I have to choose between a dead legend and a living legend, it’s never a difficult choice. The ball is tipped, and there you are . Alfredrick Hughes (Loyola University, 1. There will never be another Alfredrick Hughes, which is kind of like saying there will never be another GG Allin. As a freshman, he once missed 2. As a junior, he took 6. He’s perhaps best remembered for a bootleg T- shirt that was popular around campus that screamed, “SAVE LOYOLA BASKETBALL, SHOOT ALFREDRICK HUGHES. Somewhere in Chicago, Alfredrick is taking an ill- advised shot right now. David Rivers (Notre Dame, 1. Ultra- quick and totally unpredictable, Rivers was a point guard from a video game (and I mean a video game from the ’8. When Al Mc. Guire used to announce Irish games on NBC, you could almost hear the saliva dripping off his lips whenever Rivers broke somebody’s tibia. Of course, David was never designed for the pro game, and he knew it. He knew it before anyone else. Here’s what he said after getting cut by Minnesota Timberwolves coach Bill Musselman: “I didn’t fit in. He wanted a guard who would run the offense, pass the ball, and play defense. That’s not me at all.” 4. Gerry Mc. Namara (Syracuse, 2. There have been many players better than Gerry Mc. Namara. But how many humans ever played better than Mc. Namara during the best week of his life? His four- game performance in the 2. Big East tournament was more extraordinary than Billy Owens’ entire career. Stacey Augmon (UNLV, 1. Nobody ever terrorized the passing lanes like the Plastic Man. Somehow, that was Augmon’s natural state of existence. Daren Queenan (Lehigh, 1. My body is my briefcase,” Queenan once said cryptically, apparently meaning that his body is what he took to work. A 6- foot- 4 small forward, he ended his time at Lehigh with 2,7. He eventually won the CBA slam dunk contest and became a naturalized citizen of Belgium. If there’s ever a dunk contest in Bruges, I would still put my bones on this dude. Danny Ferry (Duke, 1. He was at least as good at basketball as Jay Bilas is at Twitter. Reggie Williams (Virginia Military Institute, 2. Here we have the third- most famous athlete ever named “Reggie Williams” who played for a team that never went . But he scored a metric ton (a 2. Scott Skiles (Michigan State, 1. You know, there is no way I would have Scott Skiles on this team,” Bob Knight told his Hoosier roster in 1. He was a problem, but mostly for people who tried to guard him and inevitably failed. It almost seemed like he vandalized opponents. His pro career was statistically relevant (he had 3. Magic, which is still a record), but it’s his hard- partying college days that matter more. Michael Graham (Georgetown, 1. The human incarnation of Hoya intimidation. Fennis Dembo (Wyoming, 1. Undoubtedly the only Wyoming cager who’ll ever be on the cover of Sports Illustrated, he probably would have been recruited by Kentucky had his name been Dennis Fembo. Eric “Sleepy” Floyd (Georgetown, 1. When recalling the 1. NCAA title game, people tend to mention two things — Michael Jordan’s clutch jump shot from the left wing, and James Worthy intercepting a miscalculated pass from Hoya point guard Fred Brown. Yet if Brown doesn’t turn it over, Jordan’s jumper might be a footnote; everyone watching that game expected Mr. Narcolepsy to score on that final possession. Never sleep on the Sleepy. Phil Ford (North Carolina, 1. Walt Hazzard (UCLA, 1. Both represented the class of their respective programs without drawing undue attention to themselves. Chris Jackson (LSU, 1. Before changing his name and being unjustly persecuted for his political ideals, Jackson was a two- season Cajun superstar (he averaged over 3. As a sophomore, he played on an LSU team that had Shaquille O’Neal at center and 7- foot, 2. Stanley Roberts at power forward. They went 1. 2- 6 in the SEC, somehow. Adam Morrison (Gonzaga, 2. He had the best Maui Invitational ever, and a mustache that failed. What’s more collegiate than that? Scott May (Indiana, 1. The textbook example of a man designed only for the college game. His kid might be similar. Both deserve recognition. Rex Chapman (Kentucky, 1. I have a (possibly racist?) book in my library that described King Rex like this: “Jumps like a brother, shoots like your mother.” I suppose Chapman did have a lot of 7- for- 1. He was clutch. I still have a Rex Chapman T- shirt somewhere in my parents’ house. It never fit right. Juan Dixon (Maryland, 1. No matter what happens, I’ll always consider Dixon a greater talent than Steve Blake. Hugh Rawson's Dictionary Of Invective contains the most detailed study of what he calls . Cunt: A Cultural History Of The C- Word is therefore intended as the first comprehensive analysis of this ancient and powerful word. According to Francis Grose's scurrilous definition, it is . As a noun, 'cunt' has numerous other senses: a woman (viewed as a sexual object), sexual intercourse, a (foolish) person, an infuriating device, an ironically affectionate term of address, the mouth as a sexual organ, the anus as a sexual organ, the buttocks, prostitution, a vein used for drug- injection, a synonym for 'damn', an attractive woman, an object or place, the essence of someone, and a difficult task. It can also be used as an adjective (to describe a foolish person), a verb (meaning both to physically abuse someone and to call a woman a cunt), and an exclamation (to signify frustration). Despite its semantic flexibility, however, 'cunt' remains our highest linguistic taboo: . The word's etymology is surprisingly complex and contentious. Like many swear words, it has been incorrectly dismissed as merely Anglo- Saxon slang. The c- word's second most significant influence is the Latin term 'cuneus', meaning 'wedge'. The Old Dutch 'kunte' provides the plosive final consonant. At the heart of this incongruity is our culture's negative attitude towards femininity. Kate Millett sums up the word's uniquely despised status: . And the word is not fuck, it's cunt. Our self- contempt originates in this: in knowing we are cunt. This linguistic inequality is mirrored by a cultural imbalance that sees images of the vagina obliterated from contemporary visual culture: . Censorship of both the word 'cunt' and the organ to which it refers is symptomatic of a general fear of - and disgust for - the vagina itself. The most literal manifestation of this fear is the myth of the 'vagina dentata', symbolising the male fear that the vagina is a tool of castration (the femme castratrice, a more specific manifestation of the Film Noir femme fatale). The same process took place in Mexico when the offensive term 'guey'/'buey' was . A parallel 'cunt- power' ideology, seeking to reclaim the word more forcefully, was instigated by Germaine Greer - and later revived by Zoe Williams, who encouraged . Genital, scatological, and sexual terms (such as, respectively, 'cunt', 'shit', and 'fuck') are our most powerful taboos, though this was not always the case. Social taboos originally related to religion and ritual, and Philip Thody contrasts our contemporary bodily taboos with the ritual taboos of tribal cultures: . In Totem Und Tabu, Sigmund Freud's classic two- fold definition of 'taboo' encompasses both the sacred and the profane, both religion and defilement: . To us it means, on the one hand, 'sacred', 'consecrated', and on the other 'uncanny', 'dangerous', 'forbidden', 'unclean'. William Shakespeare, writing at the cusp of the Reformation, demonstrated the reduced potency of blasphemy and, with his thinly veiled 'cunt' puns, slyly circumvented the newfound intolerance towards sexual language. Later, John Wilmot would remove the veil altogether, writing . Establishment . During the Lady Chatterley obscenity trial, the word 'cunt' became part of the national news agenda, and indeed the eventual publication of Lady Chatterley can be seen as something of a watershed for the word, marking the first widespread cultural dissemination of . Humorous, euphemistic references to 'cunt', punning on the word without actually using it in full, represent an attempt to undermine our taboo against it: by laughing at our inability to utter the word, we recognise the arcane nature of the taboo and begin to challenge it. By contrast, the parallel trend towards repetitive usage of 'cunt' seeks to undermine the taboo through desensitisation. If 'cunt' is repeated ad infinitum, our sense of shock at initially encountering the word is rapidly dispelled. With other swear words (notably 'fuck') gradually losing their potency, 'cunt' is left as the last linguistic taboo, though even the c- word can now be found adorning badges, t- shirts, and book covers. Its normalisation is now only a matter of time. Cunt Is.. Martin Samuel calls it . Our taboo surrounding the word ensures that it is rarely discussed, though, when it is, the superlatives come thick and fast. Accordingly, Zoe Williams writes: . Jacqueline Z Wilson also writes in superlative terms: . In her study of Australian prison graffiti, Wilson writes that 'cunt' is . Sarah Westland (2. According to a front- page article in The Mail On Sunday, 'cunt' is . Peter A Neissa describes it as . Specifically, she problematises the word's reductivism: . She cautiously acknowledges the potential for feminist reclamation: . However, there has to be the acknowledgement that this word is still incredibly insulting to many and we have to respect that. Naomi Wolf's book Vagina (2. The Worst Word There Is, in which she calls 'cunt' . Peter Silverton (2. Zoe Heller calls it . Libby Brooks views it as . Andrew Goldman calls 'cunt' . Victoria Coren calls it . Alex Games sees it as . Geoffrey Hughes calls it . For Tom Aldridge, it is . In her article The C Word: How One Four- Letter Word Holds So Much Power (2. Christina Caldwell calls 'cunt' the . Jack Holland notes that . John Doran describes it as . It is, according to Sue Clark, . Beatrix Campbell calls it . It is Michael Madsen's favourite word: . It is also Elton John's favourite word: . Rankin, who wore a mask with an 'I'm a cunt' slogan in 2. For many centuries now, the word has been elaborately veiled under the weird and heavy drapes of a disapproval so strong that it has become pre- eminent among forbidden words. For others, though, its use is a mark of worldly and liberal sophistication. In her article Why The C Word Is Losing Its Bite (2. Kathleen Deveny calls 'cunt' . The programme, presented by Will Smith, acknowledged the omnipresence of 'cunt' in contemporary life and culture: . But for how much longer? You see, the more you hear it, the more you become immune to its power. The word's etymology is highly contentious, as Alex Games explains: . A consensus has not yet been reached, as Ruth Wajnryb admits in A Cunt Of A Word (a chapter in Language Most Foul): . Greek Macedonian terms for 'woman' - 'guda', 'gune', and 'gyne' - have been suggested as the word's sources, as have the Anglo- Saxon 'cynd' and the Latin 'cutis' ('skin'), though these theories are not widely supported. Jay Griffiths (2. Old English 'ge- cynde' and Anglo- Saxon 'ge- cynd' (extended to 'ge- cynd- lim', meaning 'womb'); to this list, Peter Silverton adds 'generate', 'gonards', and 'genetics', derived from the Proto- Indo- European 'gen' or 'gon'. I have examined the Indo- European, Latin, Greek, Celtic, and Dutch linguistic influences on 'cunt', and also discussed the wide variety of the word's contemporary manifestations. The prefix 'cu' is an expression of . The synonymy between 'cu' and femininity was in place even before the development of written language: . The Proto- Indo- European 'cu' is also cognate with other feminine/vaginal terms, such as the Hebrew 'cus'; the Arabic 'cush', 'kush', and 'khunt'; the Nostratic 'kuni' ('woman'); and the Irish 'cuint' ('cunt'). Mark Morton suggests that the Indo- European 'skeu' ('to conceal') is also related. Thus, 'cu' and 'koo', both pronounced 'coo', were ancient monosyllabic sounds implying femininity. Other vaginal slang words, such as 'cooch', 'coot', 'cooter' (inspiring the Bizarre headline Cooter Couture in 2. Hoochie Coochie Men was also the name of Long John Baldry's backing band during the 1. Also, heterosexual pornographic films are known as 'cooch reels'. The feminine 'cu' word- base is also the source of the modern 'cow', applied to female animals, one of the earliest recorded forms of which is the Old Frisian 'ku', indicating the link with 'cu'.
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UCD 4. 47. 0 AURAL SECTS - AURAL SECTS / - RED DIST./PROMO 1 UCD 5. CHAD AUSTIN - CHAD AUSTIN / - WARNER 4. UCD 9. 92. 0 PATTI AUSTIN - CARRY ON / - GRP 9. UCD 1. 51 PATTI AUSTIN - THAT SECRET PLACE / - MCA 1 UCD 5. SHERRIE AUSTIN - LOVE IN THE REAL WORLD / - ARISTA 1. UCD 6. 39. 8 SHERRIE AUSTIN - WORDS / - ARISTA 1. UCD 1. 54 AUTERS - NOW IM A COWBOY / - VIRGIN 1 UCD 1. AUTEURS - NEW WAVE / - CAROLINE CAROL 1. UCD 1. 55 AUTHORITY - CANDYLAND / - MUSIC UNLIMITED 1 UCD 1. AUTO & CHEROKEE - TASTE / - MORGAN CREEK 2. UCD 9. 05. 2 AUTOUR DE LUCIE - AUTOUR DE LUCIE / - NETTWERK 3. UCD 1. 56 AVB - WHATS YOUR TAG SAY / - WORD 1 UCD 8. AVENGERS VI - REAL COOL HITS / - DIONYSUS BA 1. UCD 1. 02. 18 AVERAGE WHITE BAND - PICKIN UP THE PIECES / BEST OF AWB - RHINO R 2. UCD 1. 33 ASTER AWEKE - ASTER / - COLUMBIA 1 UCD 1. AWOL - NO DEAL / - BRYANT 1 UCD 1. AXIOM AMBIENT - LOST IN TRANSLATION / - ISLAND 1 UCD 9. KEVIN AYERS - BANANAMOUR / - BGO BGOCD1. UCD 9. 83. 4 KEVIN AYERS - BANANAMOUR / UK PRESS - BGO CD1. UCD 9. 83. 0 KEVIN AYERS - JOY OF A TOY / UK PRESS - BGO CD7. UCD 9. 82. 9 KEVIN AYERS - THE CONFESSIONS OF DR DREA / UK PRESS - BGO CD8. UCD 9. 83. 2 KEVIN AYERS - WHATEVERSHEBRINGSWESING / UK PRESS - EMI 7. UCD 1. 61 ROY AYERS - NASTE / - BMG 1 UCD 9. KEVIN AYERS & THE WHOLE WO - SHOOTING AT THE MOON / UK PRESS - BGO CD1. UCD 7. 91. 8 AZ YET - AZ YET / - LAFACE 6. UCD 1. 65 AZTEC CAMERA - STRAY / - REPRISE 1 UCD 6. B 5. 2'S - B 5. 2'S / - WARNER BROS 3. UCD 1. 72 B GIRLS - WHO SAYS GIRLS CANT ROCK / - OTHER PEOPLE 1 UCD 3. B WITCHED - C EST LA VIE / - SONY 1 UCD 4. B- BALL'S BEST KEPT - B- BALL'S BEST KEPT SECRET / - IMMORTAL/EPIC 1 UCD 8. B- THONG - SKINNED / - PAVEMENT 1. UCD 9. 21. 4 B- TRIBE - SUAVE SUAVE / - LAVA 9. UCD 7. 30. 9 JON B. BROWN POSSE - B. BROWN POSSE / - MCA 1 UCD 5. B5. 2'S - GOOD STUFF / - REPRISE 9. UCD 1. 79 BABE THE BLUE OX - WAY WE ARE / - RCA 1 UCD 7. BABES IN TOYLAND - PAINKILLERS / - REPRISE 4. UCD 1. 80 BABETTES FEAST - MOUTHFUL OF REASONS / - ELEPHANTUS 1 UCD 1. BABOON - SECRET ROBOT CONTROL / - WIND UP 6. UCD 8. 46. 8 BABY BIRD - UGLY BEAUTIFUL / - ATLANTIC 8. UCD 6. 42. 2 BABY TALK - ROCK CANDY / - PETER PAN 4. UCD 1. 00. 39 BABY WOODROSE - MONEY FOR SOUL / MADE IN DENMARK - BAD AFRO 2.
Contrary to what you (or your trainer) might believe, endorphins aren’t responsibly for that giddy exuberance you feel after a long run. What is associated with the. You have not yet voted on this site! If you have already visited the site, please help us classify the good from the bad by voting on this site. Flipside Records - CD Compact Disks. To. place an order, please E- mail or Call the above address and we will inform you as to the price & availability of the CD'S your interested in. Please use the Code number when ordering (Example: UCD- 0. We will then hold the items for a week until we hear back from you. All full length CD's are listed as UCD - CD singles UCD5 This is. Used CD's we have in our store. Listing: UCD 1. 05. AC/DC - BLOW UP YOUR VIDEO / - USD 1 UCD 4. IN REVIEW - '9. 2 IN REVIEW / - SIN- DROME 1 UCD 8. FT. GANJA PLANT - PRESENTS / - I TOWN 0. UCD 8. 42. 1 1. 0,0. ![]() MANIACS - MTV UNPLUGGED / - ELEKTRA 6. UCD 1. 07. 97 1. 0,0. MANIACS - MTV UNPLUGGED / - CD ELEKTRA 9. UCD 3. 98. 5 1. 0,0. MANIACS - N/A/ / - N/A/PROMO 1 UCD 3. MANIACS - YOU HAPPY PUPPET / - N/A/PROMO 1 UCD 7. HowStuffWorks explains thousands of topics, from engines to lock-picking to ESP, with video and illustrations so you can learn how everything works.STRINGS - SOFT LIGHTS SWEET MUSIC / DISC2 - GOOD MUSIC 1. UCD 1. 07. 96 1. 0CC'S - GREATEST HITS 1. CD MERCURY 8. 00. UCD 8. 68. 2 1. 3 ENGINES - PERPETUAL MOTION MACHINE / - ATLANTIC 8. UCD 6. 04. 01 2 FAST 2 FURIOUS - 2 FAST 2 FURIOUS SOUNDTRAC / - CD DEF JAM B0. UCD 6. 65. 8 2 IN A ROOM - WIGGLE IT / - CHARISMA 9. UCD 6. 04. 02 2 LIVE CREW - GREATEST HITS / - CD LIL'JOE XR1. UCD 5. 00. 44 2 PAC & NOTORIOUS B. UCD 7. 88. 4 5. TH WARD BOYZ - PWA THE ALBUM KEEP IT POPP / - RAP A LOT 5. UCD 5. 07. 6 6. L6 - NOT EVEN WARM / - CHERRYDISC 2. UCD 5. 92. 86 7. 02 - NO DOUBT / - BIV TEN RECORDS MOTD 0. From millions of real job salary data. 0 salary data. Average salary is Detailed starting salary, median salary, pay scale, bonus data report. UCD 8. 95. 5 9. 8 DEGREES - AND RISING / - MOTOWN 3. UCD 4. 89. 6 A BUNCH O' HITS - VOL. BEST ROCK OF THE 9. PRIORITY 1 UCD 2. A DREAM TEAM - BAD TO THE BONE / - MCA 2 UCD 7. A HOUSE - I WANT TOO MUCH / - SIRE 2 UCD 2. A. C. OF COUNTRY M. OF COUNTRY M. FOUR: MELLOW COU. OF COUNTRY M. TEN: COUNTRY RO. OF COUNTRY M. TWO: COUNTRY SUN. ALFREDO RODRIGUEZ - HANNIBAL D 1. UCD 9. 1 ALEXANDROV RED ARMY - / VOLUME 2 - AAD 1 UCD 1. TATYANA ALI - KISS THE SKY / - WORK OK 6. UCD 5. 92. 65 ALICE IN CHAINS - FACELIFT / - COLUMBIA CK 4. UCD 1 ALIEN ANT FARM - ANTOLOGY / - NEW NOIZE 5. UCD 9. 5 ALISHA - BOUNCE BACK / - MCA 1 UCD 1. ALL - BREAKING THINGS / - CRUZ 1 UCD 1. ALL 4 ONE - ALL 4 ONE / - ATLANTIC 1 UCD 5. ALL 4 ONE - ALL 4 ONE / - ATLANTIC 8. UCD 5. 61. 5 ALL 4 ONE - ALL 4 ONE CHRISTMAS / - ATLANTIC 8. UCD 1. 03 ALL 4 ONE - AND THE MUSIC SPEAKS / - ATLANTIC 2 UCD 3. ALL 4 ONE - AND THE MUSIC SPEAKS / - ATLANTIC 8. UCD 1. 06 ALL 4 ONE - SHE'S GOT SKILLZ / - ATLANTIC 1 UCD 9. ALL ABOUT EVE - ALL ABOUT EVE / - MERCURY 1 UCD 5. ALL I WANT FOR CHRIS - ALL I WANT FOR CHRISTMAS / - MAURICES 1 UCD 5. ALL SAINTS - ALL SAINTS / - LONDON 4. UCD 6. 27. 8 ALL SAINTS - ALL SAINTS / - LONDON 8. UCD 4. 96. 1 ALL STAR - SAMPLER / - MERCURY/PROMO 1 UCD 1. ALL THAT - WHOP BOOM BAM / - ROUNDER RECORDS 1 UCD 9. DEBBIE ALLEN - SPECIAL LOOK / - MCA 2 UCD 1. JOHNNY ALLEN - JOHNNY ALLEN / - 2. UCD 1. 02 PETER ALLEN - MAKING EVERY MOMENT COUT / - RCA/VICTOR 1 UCD 1. PETER ALLEN - THE BEST / - A& M CD 3. UCD 9. 7 ALLEN & ALLEN - ALLEN & ALLEN / - CGI 1 UCD 1. ALLGOOD - UNCMMON GOAL / - A& M 2 UCD 1. ALLIGATOR GUN - ONEHUNDREDPERCENTFREAK / - RELATIVITY 8. UCD 6. 06. 43 ALLMAN BROTHERS BAND - A DECADE OF HITS 1. CD POLYDOR P2- 1. UCD 5. 92. 81 ALLURE - ALLURE / - CRAVE TRACK MASTERS HK 6. UCD 3. 37. 2 THE ALMIGHTY - POWERTRIPPIN' / - POLYDOR 1 UCD 1. MARC ALMOND - 1. 2 YEARS OF TEARS / - SIRE/REPRISE 2 UCD 4. ALT. MUSIC. ALTERNATIV - ALT. ALTERNATIVE / - SONY MUSIC 1 UCD 6. ALTE UND NEUE - HARMONIKA STUCKL / - KOCH INT. UCD 4. 56. 6 ALTERNATIVE NRG - ALTERNATIVE NRG / - HOLLYWOOD 1 UCD 8. DAVE ALVIN - GUILTY MAN / - HIGHTONE 1 UCD 5. PHIL ALVIN - COUNTY FAIR 2. HIGHTONE 1 UCD 6. MAIA AMANDA - MAIA AMANDA / - WORD 5. UCD 8. 46. 3 AMBITIOUS LOVERS - LUST / - ELEKTRA 6. UCD 8. 23. 0 AMEN - AMEN / - ROADRUNNER 8. UCD 6. 03. 73 AMERICA - GREATEST HITS / HISTORY - CD WB 3. UCD 4. 56. 7 THE AMERICAN CHAPTER - THE AMERICAN CHAPTER / - XL RECORDINGS 1 UCD 7. AMERICAN DOG - LAST OF A DYING BREED / - OUTLAW 9. UCD 4. 96. 0 AMERICAN EAGLE OUT. UCD 1. 05. 05 AMERICAN HEAD CHARGE - THE FEEDING / - CD DRT 0. VG+ UCD 1. 08. 4 DEL AMITRI - CHANGE EVERYTHING / - A& M 1 UCD 9. AMMER/EINHEIT/HAAGE - ODYSSEUS 7 / - INV 1. UCD 9. 11. 4 AMNESIA - LINGUS / - ISLAND 3. UCD 1. 04. 59 TORI AMOS - UNDER THE PINK / - ATLANTIC 8. UCD 2. 60 AMPS - PACER / - ELEKTRA 6. UCD 1. 01. 47 MERRIE AMSTERBURG - SEASON OF RAIN / - Q DIVISION 1. UCD 1. 01. 48 AN EMOTIONAL FISH - SLOPER / - PURE PE 2. UCD 4. 56. 8 AND IT TASTES GOOD. UCD 1. 26 ASHFORD & SIMPSON - BEST OF / - CAPITOL 1 UCD 1. ASHFORD,SIMPSON,& ANG - BEEN FOUND / - ICHIBAN 1 UCD 1. ASHTON - MODERN PILGRIMS / - RCA 1 UCD 8. SUSAN ASHTON - ANGELS OF MERCY / - SPARROW 5. UCD 6. 05. 53 ASLEEP AT THE WHEEL - GREATEST HITS / LIVE & KINCKIN' - ARISTA 1. UCD 1. 37 RICK ASTLEY - BODY & SOUL / - RCA 3 UCD 6. AT THE FOOT OF THE C - CLOUDS,RAIN,FIRE VOL. GLASSHOUSE 7. 01. UCD 9. 21. 3 ATC - PLANET POP / - REPUBLIC 4. UCD 4. 7 ATHENAEUM - RADIANCE / - ATLANTIC 8. UCD 8. 10. 7 ATLANTA RHYTHM SECTI - PARTLY PLUGGED / - STCD 0. UCD 4. 93. 9 THE ATLANTIC GROUP - NOV. RELEASE 1. 1 / - ATLANTIC 1 UCD 1. ATOM SEED - GET IN LINE / - HEAVY METAL 2 UCD 7. ATOOZI - ATOOZI / - EMI 9. UCD 1. 43 MURRAY ATTAWAY - IN THRALL / - GEFFEN 1 UCD 1. MURRAY ATTAWAY - IN THRALL / - DGCD 2. UCD 1. 44 ATTENTION DEFICIT - ATTENTION DEFICIT / - MAGNA CARTA 1 UCD 1. ATTIC OF LOVE - BEING YOU / - OCEAN 1 UCD 1. AUDIO ADRENALINE - DONT CESOR ME / - FOREFRONT 1 UCD 1. AUDIO ADRENALINE - LIVE BOOTLEG / - FOREFRONT 8. UCD 8. 09. 1 AUDIO ADRENALINE - LIVE BOOTLEG / - FOREFRONT 8. UCD 4. 95. 5 AUDIO BUFFET - AUDIO BUFFET / - CHRYSALIS 1 UCD 5. AUDIOADRENALINE - UNDERDOG / - FOREFRONT 2. UCD 1. 50 AUDIOWEB - AUDIOWEB / - MOTHER 1 UCD 6. ARLEEN AUGER - LOVE SONGS / - DELOS 3. UCD 4. 47. 0 AURAL SECTS - AURAL SECTS / - RED DIST./PROMO 1 UCD 5. CHAD AUSTIN - CHAD AUSTIN / - WARNER 4. UCD 9. 92. 0 PATTI AUSTIN - CARRY ON / - GRP 9. UCD 1. 51 PATTI AUSTIN - THAT SECRET PLACE / - MCA 1 UCD 5. SHERRIE AUSTIN - LOVE IN THE REAL WORLD / - ARISTA 1. UCD 6. 39. 8 SHERRIE AUSTIN - WORDS / - ARISTA 1. UCD 1. 54 AUTERS - NOW IM A COWBOY / - VIRGIN 1 UCD 1. AUTEURS - NEW WAVE / - CAROLINE CAROL 1. UCD 1. 55 AUTHORITY - CANDYLAND / - MUSIC UNLIMITED 1 UCD 1. AUTO & CHEROKEE - TASTE / - MORGAN CREEK 2. UCD 9. 05. 2 AUTOUR DE LUCIE - AUTOUR DE LUCIE / - NETTWERK 3. UCD 1. 56 AVB - WHATS YOUR TAG SAY / - WORD 1 UCD 8. AVENGERS VI - REAL COOL HITS / - DIONYSUS BA 1. UCD 1. 02. 18 AVERAGE WHITE BAND - PICKIN UP THE PIECES / BEST OF AWB - RHINO R 2. UCD 1. 33 ASTER AWEKE - ASTER / - COLUMBIA 1 UCD 1. AWOL - NO DEAL / - BRYANT 1 UCD 1. AXIOM AMBIENT - LOST IN TRANSLATION / - ISLAND 1 UCD 9. KEVIN AYERS - BANANAMOUR / - BGO BGOCD1. UCD 9. 83. 4 KEVIN AYERS - BANANAMOUR / UK PRESS - BGO CD1. UCD 9. 83. 0 KEVIN AYERS - JOY OF A TOY / UK PRESS - BGO CD7. UCD 9. 82. 9 KEVIN AYERS - THE CONFESSIONS OF DR DREA / UK PRESS - BGO CD8. UCD 9. 83. 2 KEVIN AYERS - WHATEVERSHEBRINGSWESING / UK PRESS - EMI 7. UCD 1. 61 ROY AYERS - NASTE / - BMG 1 UCD 9. KEVIN AYERS & THE WHOLE WO - SHOOTING AT THE MOON / UK PRESS - BGO CD1. UCD 7. 91. 8 AZ YET - AZ YET / - LAFACE 6. UCD 1. 65 AZTEC CAMERA - STRAY / - REPRISE 1 UCD 6. B 5. 2'S - B 5. 2'S / - WARNER BROS 3. UCD 1. 72 B GIRLS - WHO SAYS GIRLS CANT ROCK / - OTHER PEOPLE 1 UCD 3. B WITCHED - C EST LA VIE / - SONY 1 UCD 4. B- BALL'S BEST KEPT - B- BALL'S BEST KEPT SECRET / - IMMORTAL/EPIC 1 UCD 8. B- THONG - SKINNED / - PAVEMENT 1. UCD 9. 21. 4 B- TRIBE - SUAVE SUAVE / - LAVA 9. UCD 7. 30. 9 JON B. BROWN POSSE - B. BROWN POSSE / - MCA 1 UCD 5. B5. 2'S - GOOD STUFF / - REPRISE 9. UCD 1. 79 BABE THE BLUE OX - WAY WE ARE / - RCA 1 UCD 7. BABES IN TOYLAND - PAINKILLERS / - REPRISE 4. UCD 1. 80 BABETTES FEAST - MOUTHFUL OF REASONS / - ELEPHANTUS 1 UCD 1. BABOON - SECRET ROBOT CONTROL / - WIND UP 6. UCD 8. 46. 8 BABY BIRD - UGLY BEAUTIFUL / - ATLANTIC 8. UCD 6. 42. 2 BABY TALK - ROCK CANDY / - PETER PAN 4. UCD 1. 00. 39 BABY WOODROSE - MONEY FOR SOUL / MADE IN DENMARK - BAD AFRO 2. Board mit Foren zu Computer- Underground- und anderen Themen.![]() Eine der beliebtesten Hilfen ist Wiso steuer 2. Wir haben uns die L. Achtung: Wiso steuer: Mac 2. Steuererkl. Alternativ k. Das Programm f. Die Software entscheidet dann selbst, ob zum Beispiel die einzelnen eingegebenen Posten oder ein Pauschalbetrag zur Steuerminderung zum Einsatz kommt. Zudem weist Wiso steuer nach allen Eintragungen auf eventuell ungenutztes Potential hin, wie die pers. Bei Unklarheiten ersparen viele Erkl. Download the free trial version below to get started. Double-click the downloaded file to install the software. Wiso steuer:Mac 2017: Steuererklärung 2016 unter macOS 2017 Download bei GIGA. Die letzten Dokumente dürften eingetrudelt sein – es ist nun wieder an der Zeit. WISO steuer:Sparbuch 2017 Deutsch: Mit dem "WISO Steuer-Sparbuch 2017" erledigen Sie ohne großen Aufwand die elektronische Steuererklärung - egal, ob Angestellter. ![]() Wer keine elektronische Signatur besitzt, bekommt die notwendigen Dokumente f. Die Formulare lassen sich dann auf mehreren Ger. Neben dem Kontozugang – auf dem i. Pad . Manch Dialog k. Sogar der Versand zum Finanzamt ist m. Eine optimale Anpassung an die Aufl? Jetzt zum Summer Sale will man natürlich genug Guthaben für die Schnäppchen haben. Beim Online-Games-Shop Steam können Sie Ihr Guthaben auf verschiedenen Wegen. StarMoney 11.0 Deutsch: Mit StarMoney haben Sie sämtliche Konten bei verschiedenen Kreditinstituten in einer Übersicht. StarMoney 11 kostenlos in deutscher Version downloaden! Weitere virengeprüfte Software aus der Kategorie Finanzen finden Sie bei computerbild.de! Games Torrents - Download Free Games Torrents. Latest Games Torrents. CoolROM.com's game information and ROM (ISO) download page for Resident Evil (Sony Playstation). Creative Assembly made their name with the Total War series, at least one of which will probably always be on our list of the best strategy games on PC. Read on for everything we know about the grand strategy sequel. It’s about the excite, elation and adrenaline that is completely imperative to rough terrain hustling. ![]() It’s about cherishing the sentiment driving level out beside a sheer bluff drop, going for the crevice that is. The two of you are investigative journalists willing to take risks and dig deep to uncover the stories no one else will dare touch. You’re following a trail of. However, we think the RE7 minimum requirements will likely be a lot more achievable, but presume that. As a skilled warrior on an intense, believable battleground. The Argentinian Primera Division and Colombian Primera A have finally made the cut, and other top leagues from. Game Fixes: Resident Evil 5: Gold Edition v1.0 Resident Evil è un film del 2002, diretto da Paul W. Anderson e interpretato da Milla Jovovich e Michelle Rodriguez. La pellicola è conosciuta anche con altri. With a central studio near Tower Bridge. Howard’s barbaric setting. A world where you can sacrifice enemies to summon avatars of gods that can trample your enemies or fight other godvatars – see the embedded new trailer for some giant statue. It is being developed by Infinite Fall, a studio founded by game designer Alec Holowka, and animator/illustrator Scott Benson. The cat is out the bag, Bungie has finally revealed Destiny. In Rocket League, both events occur countless times in any given match–not surprising for a game heavily inspired. It will be available in 2. PS4, Xbox One, and PC. Developer Arkane Studios describes Prey as a “first- person immersive game set in a dangerous universe.” The CG. ![]() Free calls to friends and family. TS3 Soundboard- Plugin - Streaming music and sounds to your Team. Speak- Server. Looking for a bot? Header over to the Sinus. Bot Website. Du sprichst deutsch? Diese Seite ist zu gro. So make sure you did all the steps before you start moaning ; )Download the appropriate version for your system and double- click it. The Team. Speak Plugin Installer will jump in and guide you through initial installation. To make it show up, go to. Hier könnt ihr einen gratis Teamspeak 3 Bot erhalten. Download Skype and stay in touch with family and friends for free. Get international calling, free online calls and Skype for Business on desktop and mobile. Download Clownfish Plugin For Teamspeak 3 Client Tutorial LatestTeamspeak 3 server erstellen kostenlos teamspeak 3 kostenlos server mieten teamspeak 3 server erstellen kostenlos hamachi teamspeak 3 server erstellen kostenlos 2013. Teamspeak creare server gratis create teamspeak server free teamspeak 3 creare server gratis create teamspeak server for free creare server teamspeak gratuito. Greetings, I know this post is kinda off-topic but me and my mate are trying to create our own plugin where we want to play sounds/songs/music in the channel. Teamspeak 3 Client (Windows 64-Bit) - Download. Hier können Sie den TS 3 Client (Win 64-Bit) auf Deutsch schnell und kostenlos downloaden. Clownfish für Skype 4.50 Deutsch: Das kostenlose Plug-in "Clownfish für Skype" übersetzt für Sie den Chatverlauf, spricht mit Ihnen via Text to Speech und vieles. Plugins > Soundboard > Configure.. However, the default configuration should already serve most of what you need. If you want to keep it simple, just drag& drop a file onto each button (this will only work on windows if you installed Team. Speak via the . You might want to adjust the volume for local or send (that's what everyone besides you hears) playback so that everyone is comfortable with it. Please try to reinstall Team. Speak and if that doesn't help, rename the downloaded file so that it ends with . Team. Speaks plugin path. On Windows, this is usually C: \Program Files\Team. Speak 3 Client\Plugins, on Mac it's /Applications/Team. Speak 3 Client. app/Content/Shared. Support/plugins. I've downloaded the plugin, but when I open the file, it gets opened with Win. RAR, Winzip or such.. Some browsers rename the extensions of the files you download if they can determine, what filetype the file is; if the filename ends with . If that doesn't help, follow the steps above. I'm using Voice Activity Detection and others can hear the sound only when I speak. You probably still have Team. Speak itself configured to use VAD - given the way the plugin works, this will not work. Instead activate VAD inside Soundboards' plugin settings and set your TS to use Push- to- talk (yes, really). After I used the soundboard, noone can here me or just some random/static noise. Why? You're probably using Push- To- Talk and havent's setup everything like explained. Please follow the setup guide more carefully and everything should work just fine. How can I bind my buttons to hotkeys so I can use my keyboard to control them? Right click the button and choose Set hotkey.. Alternatively open the Team. Speak settings and add a hotkey, bind it to . The hotkeys section in the options of Team. Speak is the right place where you can delete hotkeys afterwards. What commands are there that I can bind hotkeys to or enter in the chat?/soundboard stop stop music directly. Number> play a specific button. I've enabled sync and remote control, now how do I remote control the bot from another Team. Speak client? Please note that EVERY command except button works only when synchronizing with Winamp on Windows. The archive should contain both 3. The settings can be found in the advanced- tab of the plugins' configuration. This will be clarified more soon. Can I use the plugin with Spotify, Pandora or such? Sorry, you can not. Theres some encryption going on with such services so that direct file access is impossible. Update: actually there might be a chance that Spotify (but nothing else) is going to work. My microphone & speakers don't work anymore - or: all my playback devices are gone and there's only a dummy device from the plugin there - help! There seems to be a common problem when TS enables the dummy device by default. However: your devices aren't gone, they're just listed in a different category than . So make sure you select the appropriate category as . I hope this gets fixed in the future so people don't get confused with this anymore. This problem should be fixed in the latest experimental release. I need more buttons - how can I get them? Right click an existing button, choose ? Also: music- files can be stopped, sound- files can't. So really use . In Section . This makes the plugin listen for commands on port 1. Commands can then be sent as /music < path. It requires some basic linux knowledge. This will only work with version 0. The hardest part is done. If you want to dig deeper and actually get some more control over your bot, you should read the guide about how to remote control it via UDP or build/get a nice Web- Frontend (like the example one over here). Let me know by submitting them at the TS3 forums or in the comments below! Changelog. Changes in v. Sep 2. 8th, 2. 01. Changes in v. 1. 0b. Sep 2. 4th, 2. 01. Voice. FX did not work properly in a few cases, this has been fixed now (again thanks to Emre Kara)Changes in v. Sep 2. 3rd, 2. 01. Emre Kara)feature: volumes for remote and local playback can now be synchronizedenh: better web- interfacestability improvements. Changes in v. 1. 0b. Sep 1. 7th, 2. 01. Changes in v. 1. 0b. Sep 1. 5th, 2. 01. J2ghz)libvlc: fixed a bug that prevented the playlist to progresslocalization: added general localization supportlocalization: added german languagereplaced some icons. Changes in v. 0. 9. Sep 1. 3th, 2. 01. This version is required for the Overwolf Ingame- Overlayfeature: minimal http- server for remote- controlling playbacksmaller bugfixes in qt- stylesclick here to see older entries.. Changes in v. 0. 9. Apr 2. 0th, 2. 01. Windows XP compatibility fixesminor other tweaks. Changes in v. 0. 9. Apr 2. 0th, 2. 01. Changes in v. 0. 9. Apr 1. 9th, 2. 01. Feel free to contact me, if you need access. VLC for playback allowing more fileformats (such as movies & Youtube- Streaming)completely overhauled streaming backend; now works more like expected (send/local playback can be changed at any time, volumes as well)reorganized settings- dialogadded menu under . Questions already handled by the FAQ will get deleted eventually. Pony. Prog Documentation. Pony. Prog. 20. 00 documentationbyhttp: //www. This is a small ATtiny84 based device.Lanc. OS. com. Last update $Date: 2. Installing Pony. Prog depend on the system you have. With Windows. 95/9. ME or NT/2. 00. 0/XP just run the Setup. With Red. Hat Linux 6. P ponyprog- X. XXX. If you want to use parallel port interfaces without run Pony. ![]() If you are an existing IoT Community User and have not already reset your password on Cypress.com, please use the "Request New Password" link shown above. The Programming Interface For In-System Programming, the programmer is connected to the target using as few wires as possible. To program any AVR microcontroller. Prog as root you. With Red. Hat you may want to. The first time you run the program remember to select the interface and port. Setup. If the program. You can select. the file to open through a dialog or drag and drop the file to open over the. Pony. Prog window. Pony. Prog recognize several different types of file format. S- record and raw binary. If the selected file doesn't. S- Rec; if also this operation fails. If the file has e. In. case of splitted Program/Data device like AVR and PIC the content of the data. Open Program (FLASH) File. This command is available only for splitted Program/Data devices. The buffer. is splitted in two different part for these devices: the first part for program. This command Open a file by name. You can select the file to open through a. The file to load may have one of these format: intel- hex, motorola S- record. Open Data (EEPROM) File. This command is available only for splitted Program/Data devices. The buffer. is splitted in two different part for these devices: the first part for program. This command Open a file by name. You can select the file to open through a dialog. If no name has been specified. Save as. Open a dialog box where you can specify the name of the file. In the bottom. of the dialog box you can select the file format for the file to save (indicated. If you press OK the content of the current window will be. I suggest to save always in e. The . bin format. Program (FLASH) File. This command is available only for splitted Program/Data devices. The buffer. is splitted in two different part for these devices: the first part for program. This command save the content of. A dialog box asks you the name. Data (EEPROM) File. This command is available only for splitted Program/Data devices. The buffer. is splitted in two different part for these devices: the first part for program. This command save the content of. A dialog box asks you the name. This command reload last opened files in the current window buffer. It's useful. when you need to edit/build the files from an external program (assembler/compiler). Open a dialog box where you can select the printer name and options. If you. press OK the content of the current window will be printed. Close the current window, if there is only one opened window a dialog window. Yes or No. If the current window. Close all the opened window and exit the program. If there is a modified window. Open a dialog box where you can edit a Chip id and a note. These two fields. Open). This dialog is especially useful for microcontrollers, because they could. The following screen. Note that. disabled bits (grayed) are not used or not modificable. AVR AT9. 0S4. 43. Security and Fuse bits. PIC 1. 6F8. 4CP: if checked all memory is code protected. PWRTE: if checked power- up timer is enabled. WDTE: if checked watchdog timer is disabled. FOSC1,FOSC0: oscillator selection bits. FOSC1. FOSC0. Statusnot checkednot checked. RC resistor/capacitor oscillatornot checkedchecked. HS high speed crystal/resonator oscillatorcheckednot checked. XT crystal/resonator oscillatorcheckedchecked. LP low power oscillator. AT8. 9S8. 25. 2Microchp 2. C6. 5 The dialog ask you to insert the first block and the number of blocks to lock. To lock the device the number of blocks must be. You can toggle this item either to enable or disable the edit mode. If the. edit mode is enabled you can modify the buffer content by clicking on a location. Two editing modes are available: hexadecimal editing. If you click on the HEX (center) part of the screen or press. ENTER you open a dialog where you can insert the new value for that byte in. If you click on the ASCII (right magenta). You can CUT & PASTE in the text entry dialog by the. Note that you can enable/disable only the edit. Select the type of current device. You have to select the device type before. Selecting an . There are some different device family. I. You can select. The current device type is stored in the . INI file, so the. To read and write I. Note that you can often replace a 2. C0. 1 eeprom with a new 2. C0. 2 eeprom. because it's fully compatible to the 2. C0. 1. Several microwire eeproms support two types of word organization: 1. The organization is selected with a pin connected to. VCC or GND. SI- Prog adapter connect this pin for 1. All. Read the content of a device in the current window buffer. Note that only. the devices that support probing report this type of message, other device simply. FF's (if the device is missed). The devices that support probing. XX, the AVR and some PIC. In the case of AVR device selected. Even some preproduction devices don't support auto. You can't read a locked device, to program it see Write. Since version 1. 1. AVR device (AT9. 0S2. If the. device is missing, or the device is locked, or the device is a preproduction. It asks you if you want to abort operation, retry. In case of a preproduction device just select . The buffer. is splitted in two different part for these devices: the first part for program. This command read only the program. This command is available only for splitted Program/Data devices. The buffer. is splitted in two different part for these devices: the first part for program. This command read only the data. Note that this command. To modify the security and configuration. All. Write the content of the current window buffer to a device. A dialog box ask. This operation can take a while. If you want to. stop the current write just press the . After the write. operation an automatic verify is executed. Finally a dialog box showing the. Before to perform a write I suggest to select the exact device type, not the. The buffer. is splitted in two different part for these devices: the first part for program. This command write only the program. The exception is the. AVR device: to write the program memory an erase is needed, so the data memory. Some AVR devices have EESAVE fuse bit, when programmed the EEPROM. This command is available only for splitted Program/Data devices. The buffer. is splitted in two different part for these devices: the first part for program. This command write only the data. Note that this command. To modify the security and configuration. All. Verify the content of a device, compares it to the content of the current. If you want to stop the verify just press. Finally a dialog box showing the result of the. This command is available only for splitted Program/Data devices. The buffer. is splitted in two different part for these devices: the first part for program. This command verify only the program. This command is available only for splitted Program/Data devices. The buffer. is splitted in two different part for these devices: the first part for program. This command verify only the data. Erase all the content of a device to FF's (both program and data memory). Note. that this command is implemented only for AVR and PIC devices. Shows some informations about the device. Some of these informations are showed. In the. case of AVR or PIC devices, it's equal to the sum of the program memory size. CRC calculated on the content of the buffer. Bank roll over. It's a characteristic of some old I. The Microchip 2. 4C6. It's useful with in- system applications. Execute a customizable sequence of commands. You can select the commands to. Select the commands to execute with the Program command. Clear the current window buffer with FF's. Fill the current window buffer with a character. A dialog box asks you to select. You can insert the value either in decimal (i. This command duplicates every bank in the current buffer and changes the device. A bank is a cluster of 2. This utility is useful to replace a SDA2. C0. 8 or a SDA2. 58. C1. 6. Example: you have to select the device. Then you have to perform a . JTAG - Wikipedia. The Joint Test Action Group (JTAG) is an electronics industry association formed in 1. In 1. 99. 0 the Institute of Electrical and Electronics Engineers codified the results of the effort in IEEE Standard 1. Standard Test Access Port and Boundary- Scan Architecture. JTAG implements standards for on- chip instrumentation in electronic design automation (EDA) as a complementary tool to digital simulation. The interface connects to an on- chip test access port (TAP) that implements a stateful protocol to access a set of test registers that present chip logic levels and device capabilities of various parts. The JTAG standards have been extended by many semiconductor chip manufacturers with specialized variants to provide vendor- specific features. The majority of manufacturing and field faults in circuit boards were due to poor solder joints on the boards, imperfections among board connections, or the bonds and bond wires from IC pads to pin lead frames. The Joint Test Action Group (JTAG) was formed in 1. IC pad to another so these faults could be discovered. The industry standard became an IEEE standard in 1. IEEE Std. 1. 14. 9. In the same year, Intel released their first processor with JTAG (the 8. In 1. 99. 4, a supplement that contains a description of the boundary scan description language (BSDL) was added. Further refinements regarding the use of all- zeros for EXTEST, separating the use of SAMPLE from PRELOAD and better implementation for OBSERVE. Boundary scan is now mostly synonymous with JTAG, but JTAG has essential uses beyond such manufacturing applications. Debugging. Today JTAG is used as the primary means of accessing sub- blocks of integrated circuits, making it an essential mechanism for debuggingembedded systems which may not have any other debug- capable communications channel. On most systems, JTAG- based debugging is available from the very first instruction after CPU reset, letting it assist with development of early boot software which runs before anything is set up. An in- circuit emulator (or, more correctly, a . Those modules let software developers debug the software of an embedded system directly at the machine instruction level when needed, or (more typically) in terms of high level language source code. System software debug support is for many software developers the main reason to be interested in JTAG. Many silicon architectures such as Power. PC, MIPS, ARM, x. JTAG protocol. Frequently individual silicon vendors however only implement parts of these extensions. Some examples are ARM Core. Sight and Nexus as well as Intel's BTS (Branch Trace Storage), LBR (Last Branch Record), and IPT (Intel Processor Trace) implementations. There are many other such silicon vendor- specific extensions that may not be documented except under NDA. The adoption of the JTAG standard helped move JTAG- centric debugging environments away from early processor- specific designs. Processors can normally be halted, single stepped, or let run freely. One can set code breakpoints, both for code in RAM (often using a special machine instruction) and in ROM/flash. Data breakpoints are often available, as is bulk data download to RAM. Most designs have “halt mode debugging”, but some allow debuggers to access registers and data buses without needing to halt the core being debugged. Some toolchains can use ARM Embedded Trace Macrocell (ETM) modules, or equivalent implementations in other architectures to trigger debugger (or tracing) activity on complex hardware events, like a logic analyzer programmed to ignore the first seven accesses to a register from one particular subroutine. Sometimes FPGA developers also use JTAG to develop debugging tools. For example, custom JTAG instructions can be provided to allow reading registers built from arbitrary sets of signals inside the FPGA, providing visibility for behaviors which are invisible to boundary scan operations. Similarly, writing such registers could provide controllability which is not otherwise available. Storing firmware. Some device programmers serve a double purpose for programming as well as debugging the device. In the case of FPGAs, volatile memory devices can also be programmed via the JTAG port, normally during development work. In addition, internal monitoring capabilities (temperature, voltage and current) may be accessible via the JTAG port. JTAG programmers are also used to write software and data into flash memory. This is usually done using data bus access like the CPU would use, and is sometimes actually handled by a CPU, but in other cases memory chips have JTAG interfaces themselves. Some modern debug architectures provide internal and external bus master access without needing to halt and take over a CPU. In the worst case, it is usually possible to drive external bus signals using the boundary scan facility. As a practical matter, when developing an embedded system, emulating the instruction store is the fastest way to implement the . Using a serial UART port and bootloader to upload firmware to Flash makes this debug cycle quite slow and possibly expensive in terms of tools; installing firmware into Flash (or SRAM instead of Flash) via JTAG is an intermediate solution between these extremes. Boundary scan testing. The signals are represented in the boundary scan register (BSR) accessible via the TAP. This permits testing as well as controlling the states of the signals for testing and debugging. Therefore, both software and hardware (manufacturing) faults may be located and an operating device may be monitored. When combined with built- in self- test (BIST), the JTAG scan chain enables a low overhead, embedded solution to testing an IC for certain static faults (shorts, opens, and logic errors). The scan chain mechanism does not generally help diagnose or test for timing, temperature or other dynamic operational errors that may occur. Test cases are often provided in standardized formats such as SVF, or its binary sibling XSVF, and used in production tests. The ability to perform such testing on finished boards is an essential part of Design For Test in today's products, increasing the number of faults that can be found before products ship to customers. Electrical characteristics. Depending on the version of JTAG, two, four, or five pins are added. The four and five pin interfaces are designed so that multiple chips on a board can have their JTAG lines daisy- chained together if specific conditions are met. In either case a test probe need only connect to a single . If the pin is not available, the test logic can be reset by switching to the reset state synchronously, using TCK and TMS. Note that resetting test logic doesn't necessarily imply resetting anything else. There are generally some processor- specific JTAG operations which can reset all or part of the chip being debugged. Since only one data line is available, the protocol is serial. The clock input is at the TCK pin. One bit of data is transferred in from TDI, and out to TDO per TCK rising clock edge. Different instructions can be loaded. Instructions for typical ICs might read the chip ID, sample input pins, drive (or float) output pins, manipulate chip functions, or bypass (pipe TDI to TDO to logically shorten chains of multiple chips). As with any clocked signal, data presented to TDI must be valid for some chip- specific Setup time before and Hold time after the relevant (here, rising) clock edge. TDO data is valid for some chip- specific time after the falling edge of TCK. The maximum operating frequency of TCK varies depending on all chips in the chain (the lowest speed must be used), but it is typically 1. MHz (1. 00- 1. 0 ns per bit). Also TCK frequencies depend on board layout and JTAG adapter capabilities and state. One chip might have a 4. MHz JTAG clock, but only if it is using a 2. 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